The Night is Different by Steven Outram is a captivating example of the artist’s signature ability to evoke deep contemplation through atmospheric landscapes. This oil painting presents a misty, serene scene featuring a man and his dog, caught in the tranquil embrace of twilight. The soft, almost ethereal light filters through the haze, creating a sense of stillness that invites the viewer to pause and reflect. The figures of the man and dog appear as quiet silhouettes, their presence adding a layer of intimacy and solitude to the scene.
Outram’s masterful use of muted color tones and delicate brushwork captures the subtle beauty of this moment in time, emphasizing the emotional depth and timelessness of nature’s ever-changing moods. The sense of light and atmosphere, so central to Outram’s style, imbues the piece with a sense of reverie—inviting the viewer to become immersed in the peaceful silence of the natural world.
The painting is presented in a simple frame that bears a couple of tiny marks, which do not detract from its overall beauty and impact. This work exemplifies Outram’s lifelong dedication to capturing the essence of nature’s quiet moments, making it a perfect example of his serene approach to landscape painting.
| Medium: | Oil |
| Format: | Board |
| Size (Framed): | 38 x 35 cm |
| Size (Unframed): | 29 x 25 cm |
| Signed: | Yes |
| Condition: | Wear to frame |
Steven Outram (b. 1953, Dartford, Kent) is a British painter known for his serene, atmospheric landscapes that invite deep contemplation. With a career spanning over five decades, Outram has developed a distinctive style that captures the mood of natural environments, focusing on the transformative effects of light and time of day. His work is defined by its subtle use of color, masterful brushwork, and a sense of quiet reverie.
Outram’s lifelong passion for painting began in his youth, when he explored the Thames valley, sketching in all weathers. He trained at Medway College of Art and began exhibiting professionally in 1973, soon establishing himself as a full-time artist. His landscapes, often inspired by the rural surroundings of the Forest of Dean, reflect his interest in capturing timeless moments, with an emphasis on mood rather than a fleeting snapshot.
A member of the Royal Society of British Artists since 2003, Outram’s work has been praised for its craftsmanship, emotional depth, and ability to evoke a sense of wonder in the ordinary. His paintings remain a quiet antidote to the fast pace of contemporary art, offering a space for reflection and connection to the natural world.
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