Framed original
Media: Charcoal and Acrylic on Paper
The work of Pippa Young is built upon the renaissance, incorporating other media, lines and texture, simulating abstraction. “The figure in my painting is a means to communicate directly with the viewer and the absence of context allows the figures to occupy their own subjective space, timeless and unadorned.”
| Medium: | Charcoal |
| Format: | Paper |
| Size (Framed): | 43.5 x 43.5" |
| Size (Unframed): | 39.5 x 39.5" |
| Signed: | No |
| Condition: | Excellent |
| Provenance: | Original sales invoice |
Young’s work proposes a reality in which the chaos of contemporary life – our scattered attention, pervasive uncertainties and dependence on technology for private reassurance and communal feeling – are not cause for despair, but are instead a possible resource. In Young’s guide for surviving this altered present, the disintegration of our established routines and imagined horizons clears the way for experimental dialogues, transhistorical affinities, unanticipated intimacies and a new attunement to beauty.
Her singular paintings emerged through digesting an omnivorous range of intellectual and cultural source materials, but were equally the product of many small, deceptively simple physical acts. It is this inconspicuous, diligent work which at once transforms her painting into a contemplative practice, and lends the images themselves their serene, introspective feel.
Young’s paintings invite us to linger over precisely detailed, almost photorealistic, facial features and angular structures, while her collages and redactions present us with enigmatic texts which reward re-readings, and aphorisms which under closer scrutiny shape-shift into private confessions.
Rebecca Birrell
(2022)
Since being awarded a BA (Hons) Fine Art (first) from Falmouth University in 2012, Pippa Young has exhibited her work in eight solo exhibitions and in numerous group shows both nationally and internationally.
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