Louise Dear “Kate & Roses” Original

£2,485 (estimate includes ARR, finders fee & taxes)

“Kate & Roses” by Louise Dear is a stunning celebration of femininity and beauty, brought to life through vibrant sign and spray paint on an aluminium box. The artwork features a striking portrait of Kate, whose serene expression and captivating gaze draw the viewer in. Surrounding her are lush, blooming roses in a vivid palette.

The dynamic interplay of colour and texture creates a rich visual narrative, inviting viewers to explore the connection between the subject and the surrounding flora. This piece not only embodies strength and grace but also evokes a sense of intimacy, encouraging a deep emotional response. With its bold execution and layered meaning, “Kate & Roses” is a powerful testament to the complexities of womanhood and the beauty found within.

Details

Medium: Spray Paint
Format: Aluminium
Size (Unframed): 90 x 115 cm
Signed: Yes
Condition: Excellent

Artist Bio

Louise Dear is a renowned British artist celebrated for her striking, colourful artworks that frequently showcase strong female figures. Her unique style merges traditional fine art techniques with a contemporary pop-art twist. Drawing inspiration from beauty, fashion, and her own life experiences, Louise’s work embodies a bold celebration of femininity and empowerment. Based in the UK, her vibrant and playful creations have earned her international recognition, making her pieces highly sought-after by collectors and galleries around the world.

Louise has been hugely successful over recent years with a lengthy waiting list for commissions and artwork. We have no doubt that this demand will now grow to new heights with massive interest already being shown for her artwork and exhibitions.

Louise is a painter with a simple ambition: to create beautiful paintings. She makes large, contemporary, figurative works. With a passion for colour; shocking, vibrant and intense, she continually explores the power it has to invade our senses and influence our emotions. Working on large sheets of prefabricated aluminium, priming the surface then throwing, rubbing, pouring and dripping inks and dyes, glitter and glosses, to form a background. This is then sanded, scratched and distressed, depending on what image will be overlaid. She continually experiments with a multitude of materials, seduced by their substances, fascinated with their movement, individual textures and how they respond to one another. As the painting evolves, she becomes intrigued with the marks, how the line within a magnified face or body, organically flows.

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