Lorenzo Quinn’s “The Creation” is a mesmerizing sculpture that captures the essence of human potential and universal growth. Known for his masterful ability to convey emotion through form, Quinn skillfully combines strength and fragility in this evocative piece. The sculpture presents a delicate yet powerful hand emerging from a golden interior, framed by the raw, contrasting texture of a bronze egg.
The triangular base adds a sense of stability and timelessness, grounding the ethereal energy emanating from within. The composition, with its rich bronze exterior, serves as a metaphor for both protection and transformation. This outer shell, meticulously crafted with a natural, earthy finish, embodies resilience and strength, while the radiant gold within symbolizes the birth of ideas and the infinite possibilities of creation.
The dichotomy between the rugged exterior and the smooth, luminous interior invites the observer to ponder the interplay between external barriers and internal aspirations. Quinn’s exceptional use of texture and form is evident as the piece captures the viewer’s imagination, evoking a sense of wonder and introspection. A harmonious blend of artistic vision and precise craftsmanship makes it a highly sought-after collectible.
| Medium: | Bonded Bronze & Gold Leaf |
| Format: | Sculpture |
| Size (Framed): | 30 x 17 cm |
| Signed: | No |
| Condition: | Excellent |
Lorenzo Quinn is one of the world’s leading contemporary sculptors. Born in 1966 to the actor Anthony Quinn and costume designer Iolanda Addolori, this artist was inspired by the work of his father when he first began developing his highly emotive art style. Quinn attended the American Academy of Fine Arts in the 1980s; after initially pursuing surrealist painting, he realised his passion and ability for sculpture when he created a piece featuring Eve within Adam’s torso. After this, Quinn developed his now world renowned sculpting style.
Quinn’s success has been marked by several significant commissions. This began early in his career, including a piece commissioned by the United Nations in 1993, and another for the Vatican in 1994. Many other important commissions have since been completed by Quinn, as well as a number of public artworks. As a result, his work can be seen and recognised by numbers of fans that few contemporary artists could claim.
Quinn’s style of combining symbolic objects with realistic figures has meant that his work can be used to great effect in representational art. Because of this, he has used his art to create messages such as supporting action against climate change.
He continues to produce work to this day, and has seen great success in far-reaching, exclusive art events. Some of his most recent work has included a large installation at the Venice Biennale, which received worldwide attention and admiration.
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