Lorenzo Quinn’s “Hand of God” is a mesmerizing sculpture that captures the profound intersection of human vulnerability and divine strength, encapsulated in a moment of serene reflection. Crafted with meticulous detail, the sculpture features a contemplative figure gently cradled in the palm of a colossal hand. This evocative composition brings to life an intimate connection with the divine, echoing themes of protection, guidance, and introspection.
Rendered in a rich bronze finish, “Hand of God” boasts a sumptuous, tactile surface that draws the viewer in, inviting both touch and contemplation. The artist’s exceptional skill is evident in the fluid yet solid curves of the hand, which seem at once gentle and powerful, embodying a sense of calm assurance. The figure, with its classic nude form, harks back to Michelangelo’s Renaissance masterpieces, offering a timeless quality that speaks to the continuity of human experience and spiritual inquiry.
As the value of Quinn’s works continues to rise, this sculpture offers not only an emotional and visual impact but also significant potential for financial appreciation. Whether as a personal meditation on the divine or a striking symbol of human strength, “Hand of God” is a masterpiece that enriches the soul and the collection alike.
| Format: | Sculpture |
| Size (Framed): | 30 x 20" |
| Signed: | No |
| Condition: | Excellent |
Lorenzo Quinn is one of the world’s leading contemporary sculptors. Born in 1966 to the actor Anthony Quinn and costume designer Iolanda Addolori, this artist was inspired by the work of his father when he first began developing his highly emotive art style. Quinn attended the American Academy of Fine Arts in the 1980s; after initially pursuing surrealist painting, he realised his passion and ability for sculpture when he created a piece featuring Eve within Adam’s torso. After this, Quinn developed his now world renowned sculpting style.
Quinn’s success has been marked by several significant commissions. This began early in his career, including a piece commissioned by the United Nations in 1993, and another for the Vatican in 1994. Many other important commissions have since been completed by Quinn, as well as a number of public artworks. As a result, his work can be seen and recognised by numbers of fans that few contemporary artists could claim.
Quinn’s style of combining symbolic objects with realistic figures has meant that his work can be used to great effect in representational art. Because of this, he has used his art to create messages such as supporting action against climate change.
He continues to produce work to this day, and has seen great success in far-reaching, exclusive art events. Some of his most recent work has included a large installation at the Venice Biennale, which received worldwide attention and admiration.
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