Lorenzo Quinn’s “Gravity Male” is a masterful embodiment of human connection and existential balance, poised to captivate the discerning collector with its emotional depth and aesthetic grace. This thought-provoking sculpture presents a striking interplay of forms, capturing two male figures delicately entwined in a dance of trust and equilibrium. The piece exudes a narrative of support and interplay, where the figures rely on each other in a mesmerizing display of strength and vulnerability.
Crafted with Quinn’s renowned attention to detail, the sculpture features smooth, flowing lines that accentuate the muscular definition and grace of the human form. The bronzed finish enhances its timeless elegance, casting warm hues that shift with the light, imbuing the piece with a dynamic sense of movement. Known for his exploration of the human condition through tactile expression, Quinn utilizes gravity itself as a metaphor for the unseen forces that bind us, making this piece a tangible exploration of metaphysical themes.
“Gravity Male” stands as a testament to Lorenzo Quinn’s ability to transcend traditional art forms, inviting viewers into a contemplative space where the physical and emotional converge. As an art piece, it appeals not only to those who appreciate the technical prowess of sculpture but also to those who seek pieces with soul and substance, making it a versatile and impactful investment for the future.
| Medium: | Bonded Bronze |
| Format: | Sculpture |
| Size (Framed): | 42 x 29 cm |
| Signed: | No |
| Limited Edition: | Edition 16 Artist Proof of 30 |
Lorenzo Quinn is one of the world’s leading contemporary sculptors. Born in 1966 to the actor Anthony Quinn and costume designer Iolanda Addolori, this artist was inspired by the work of his father when he first began developing his highly emotive art style. Quinn attended the American Academy of Fine Arts in the 1980s; after initially pursuing surrealist painting, he realised his passion and ability for sculpture when he created a piece featuring Eve within Adam’s torso. After this, Quinn developed his now world renowned sculpting style.
Quinn’s success has been marked by several significant commissions. This began early in his career, including a piece commissioned by the United Nations in 1993, and another for the Vatican in 1994. Many other important commissions have since been completed by Quinn, as well as a number of public artworks. As a result, his work can be seen and recognised by numbers of fans that few contemporary artists could claim.
Quinn’s style of combining symbolic objects with realistic figures has meant that his work can be used to great effect in representational art. Because of this, he has used his art to create messages such as supporting action against climate change.
He continues to produce work to this day, and has seen great success in far-reaching, exclusive art events. Some of his most recent work has included a large installation at the Venice Biennale, which received worldwide attention and admiration.
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