This captivating artwork by Fabian Perez, Michiko 2, is a stunning hand-embellished giclée on canvas that beautifully captures the delicate balance between elegance, intrigue, and mystery—a signature of Perez’s distinctive style. As a low-numbered edition (3 out of 195), this piece represents a rare and collectible moment in the artist’s celebrated body of work.
The subject of the painting, a poised woman holding a red paper umbrella, draws the viewer into her world with a gaze full of curiosity and quiet strength. Her thoughtful expression and graceful demeanor speak to a deeper story, one that Perez’s art consistently evokes—a glimpse into a world of elegance, passion, and complexity. The woman’s attire, rendered in remarkable detail, adds layers of sophistication and texture to the composition, while the vibrant red of the umbrella creates a striking focal point, contrasting against the more subdued tones of her surroundings.
| Medium: | Giclée |
| Format: | Canvas |
| Size (Framed): | 83 x 67 cm |
| Size (Unframed): | 61 x 46 cm |
| Signed: | No |
| Condition: | Excellent |
| Limited Edition: | Edition 3 of 195 |
Fabian Perez’s artwork is deeply influenced by his unconventional upbringing. Born in Buenos Aires in 1967, he grew up surrounded by the vibrant nightlife of his father’s nightclubs and bordellos. With his artistic mother and roguish father, Perez witnessed the glamour and romance of a world both passionate and secretive. These memories of stylish and fascinating characters now populate his work.
After losing both parents before his twenties, Perez began traveling the world, refining his artistic skills. During this time, he also discovered martial arts, a discipline that shaped the precision and dedication he later applied to his art.
Perez’s career took off in Italy, where his unique style gained recognition and fame. He eventually moved to the US, where his work continues to earn accolades. Now based in Los Angeles, Perez still creates new works and tours to engage with his ever-expanding following.
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